General Poetry posted February 12, 2013 Chapters:  ...13 14 -15- 17... 


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A Villancico Poem

A chapter in the book Commentary and Philosophy

Perfection

by Treischel

Perfection



What bright road leads to perfection,
As life heads in its direction?

While you're seeking throughout the night
Sorting it out, what's wrong from right
it's very easy to lose sight
That the course still needs correction
As you're seeking out perfection

Find perfection
In your lover's smiling eyes
Find perfection
Within Nature's big blue skies
And everywhere you look
You will find a pleasant brook
When every single step you took
Finds perfection

This is such an amazing world
When its secrets are first unfurled
Child-like minds in amazement twirled
Spinning out every direction
At the cosmic intersection

Find perfection
In your lover's smiling eyes
Find perfection
Within Nature's big blue skies
And everywhere you look
You will find a pleasant brook
When every single step you took
Finds perfection

The world spinning in control
Within a universal role
One little portion of the whole
Within gravity's protection
At the Creator's election

Find perfection
In your lover's smiling eyes
Find perfection
Within Nature's big blue skies
And everywhere you look
You will find a pleasant brook
When every single step you took
Finds perfection



Recognized


This Poem is about seeing the perfection that is all around you.

At a Prompt from Gungalo, I am making an attempt at a Villancico Style Poem.

Villancico: Spanish verse form first found in 12th century Iberia. Usually about religious, pastoral or other popular theme. Unlike its spin off the Villanelle, there are many different verse rules. It seems most of the Villancico written during this time use the following rules. Opening stanza provides in whole or in part, a REFREAIN of one or two lines that rhyme. This refrain will conclude the remaining stanzas. Rhyme scheme is quite demanding, with each stanza required to be symmetrical from 3 to 8 lines and rhyme with one another but not with the refrain. Further complicated by mandatory symmetrical 6 to 14 syllable lines seems to be standard,, except in the refrains, where syllable count is not as important. Here is the most common rhyme scheme. Aa bbbaa bbbaa cccaa, etc.. Today, lyric writers us this form for the combined use of rhyme, meter and syllabic count, but have changed verse rules to fit their needs. I hope I did it right.

The photograph is a fountain at the Como Conservatory in St. Paul Minnesota. I thought it is close to perfection.
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