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How This Critter Crits

Viewing comments for Chapter 7 "Micro-Critting The Illusion Crashers"
GROWTH? ADULATION? HURRY -- CHOOSE!

91 total reviews 
Comment from Sis Cat
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An excellent crit on the importance of dialogue in fiction. You point out reality crashers such as name tags and superficial conversation. You provided vivid examples of what not to do, and you explain the reasons why. Reading this series of crit essays informs and entertains me. I imagine this series published in a "Why We Write" book Stephen King would enjoy. I thrilled to read your essay and I look forward to the next installment.

 Comment Written 23-May-2015


reply by the author on 23-May-2015
    Well, that's quite a compliment, Andre. I appreciate it. It's funny how this series which seriously began as an aide to critiquing, turned into a tutorial on writing. I guess they go hand in hand. I appreciate you, my friend.
Comment from barbara.wilkey
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When I went for the Quality Seal on one of my novels, FS told me not to use he or she as often as I do, that I should use names. I have also had and editor tell me that. I normal use their names unless it's in the same paragraph.

 Comment Written 23-May-2015


reply by the author on 23-May-2015
    That is odd, and warns me not to submit for a Quality Seal through FanStory. Why should the writer use the character's name if the reader knows the name of the person he/she is referring to? Read the popular published writers' dialogue.
Comment from Fridayauthor
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Most enjoyable and to the point. I find in critiquing a new writer, glaring problems most usually arise in dialog. While too many adverbs and messy descriptions jump out, nothing irks me more than untrue dialog. It can pull you away from the story quicker than anything else.

Busy week before we're off to Cambria!

Very good job, Jay!

 Comment Written 23-May-2015


reply by the author on 23-May-2015
    Thank you, Ray. As usual, right on the mark!
Comment from krprice
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Delete unnecessary 'that's'.

Check for commas (or lack thereof), particularly after opening phrases and clauses.

In Chapter 2. . . These have. . . mid frame . . . Delete and.

This was another excellent essay.

Karlene

 Comment Written 23-May-2015


reply by the author on 23-May-2015
    Thank you, Karlene. Please point out any misuse of "That". I run them through the find/replace grinder before I post, along with a lot of other things. When you tell me I need to delete more of them it makes me wonder which ones you are referring to. Some are necessary. Sometimes they can be removed but at the risk of an awkward-sounding sentence. So please point them out to me so we can have a dialogue.
Comment from Walu Feral
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G'day Jay. This is another very well penned and informative yarn mate. Sometimes when I am reading a story or book chapter and the charcters are talking I get that darn confused about who is talking at which time that I just click next, it does my head in. Great stuff here again Sir, cheers Fez

 Comment Written 23-May-2015


reply by the author on 23-May-2015
    Thanks, Fez. Glad you found it informative.
Comment from janalma
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I just read this for the first time. I've been seeing it and as I don't usually read novels here, had avoided getting into it. I'm really glad I did. I, as many of us here, need all the help I can get. And this isn't what I thought it was. Not a novel, it's a helpful book. I'll have to go back now and start from the beginning. Thanks for the info in this.

 Comment Written 22-May-2015


reply by the author on 22-May-2015
    Thank you, Jan, for giving it a look-see. I hope you gain something from the entire series.
Comment from Debbie Noland
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In the six months that I have been writing and reviewing on the this site, I have run across your name mentioned in a highly complimentary manner by others many times. But this may be my first opportunity to read a piece of yours and to digest your views and advice for fiction writing.

I am a relatively new and inexperienced fiction writer, but my interest in contemporary fiction has grown as I have read and contemplated the techniques of those who post here.

Your advice on writing dialogue has the tone of a friendly, interested teacher or mentor. It is practical, concrete, and down-to-earth as opposed to stodgy, didactic, and academic. I like that, and look forward to reading more.

 Comment Written 22-May-2015


reply by the author on 22-May-2015
    Well, Debbie, welcome aboard. I've been keeping a seat warm for you. I'm glad you enjoyed this. I hope I have some other stuff of interest for you as I progress. Again. Thanks.
Comment from justafan
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Jay, have you made this into a book like, Writing 101 for Dummies? Seriously, I need that book...I am going to bookcase all of these and read them over and over before adding publishing here my story Bayou Bound. You are so very gifted but also a little frightening, to be honest. I was told with my first review to look you up and to listen to your advice. This is me listening :)

Thank you...
Always justafan,
Missy

 Comment Written 22-May-2015


reply by the author on 22-May-2015
    What an honor, Missy, both to receive your accolades and to hear that someone recommended you to look me up. I am both humbled and proud, and that's hard to keep in one head at the same time. Thanks, dear Missy.
reply by justafan on 22-May-2015
    I have used your work or name in a couple of my pieces Jay :)...Best Neighborhood Ever...and Crit...like I said...I am your biggest fan.

    Missy
Comment from Selina Stambi
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Here's to you, Master Critter!

Particularly loved the part about speech tags. Wonderful examples.

Great write, Jay.

Sonali

 Comment Written 22-May-2015


reply by the author on 22-May-2015
    Thank you, Sonali. Glad you enjoyed it.
Comment from Spitfire
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To be honest, I'd delete the first paragraph. Your essay grabs my interest with:Have you ever been so enrapt by a piece of fiction ...

psycho-synergism -- love that word and I get what you mean.

my spirit moving across his landscape along with my dependency on its unimpeded movement --- yes, that's exactly how exceptional literature grabs me.

Very good tips on avoiding character tags.
As a script writer, I have learned how to cut to the chase.
All good advice and examples to learn from.

 Comment Written 21-May-2015


reply by the author on 22-May-2015
    Well, Shari, I know I answered this before, but apparently it didn't take. Frustration! Thanks though for your response and your advice. I refer to that first paragraph a few times in the chapter, so I really don't want to remove it. I'm happy you liked the remainder of it though. You're important to me! Thanks for your input.